Kiss mania was in full swing; thousands of pieces of merchandise hit the marketplace (including pinball machines, makeup and masks, and board games), and the group had two comic books released by Marvel as well as a live-action TV movie, Kiss Meet the Phantom of the Park. 14 & 15, January 08 1977", The Millennium Collection: The Best of Kiss, The Best of Kiss, Volume 2: The Millennium Collection, The Best of Kiss, Volume 3: The Millennium Collection, Hard to Believe: A Kiss Covers Compilation, Kiss My Grass: A Hillbilly Tribute to Kiss, Spin the Bottle: An All-Star Tribute to Kiss, Gods of Thunder: A Norwegian Tribute to Kiss, Lick It Up – A Millennium Tribute to Kiss, Scooby-Doo! The following year they released a collaborative single with the Japanese idol group Momoiro Clover Z. When the song was issued as a single a few months later, it did not storm up the charts. Bruce Kulick became Kiss' new lead guitarist in 1984. "Rock and Roll All Nite" is a song by American heavy metal band Kiss, originally released on their 1975 album Dressed to Kill. 69 on the Billboard singles chart, besting the band's previous charting single, "Kissin' Time" (#89). But on the eve of a Japanese and Australian tour in early 2001, Peter Criss suddenly left the band once again, supposedly discontent with his salary. "I Wanna Rock & Roll All Night" redirects here. The original version of the song, as it appears on Dressed To Kill, does not have a guitar solo, while many later versions do have one. Kiss - Rock And Roll All Nite (From Kiss eXposed) - YouTube 12 in early 1976, the first of six Top 20 songs for Kiss in the 1970s. Their follow-up, Destroyer, was released in March of 1976 and became the group's first platinum album; it also featured their first Top Ten single, Peter Criss' power ballad "Beth." The Unplugged version was released as a single and reached number 13 on Billboard's Mainstream Rock Tracks. Ace Frehley left the band after its release; he was replaced by Vinnie Vincent in 1982. Rooted in the campy theatrics of Alice Cooper and the sleazy hard rock of glam rockers the New York Dolls, Kiss became a favorite of American teenagers in the '70s. version of the song is played at the beginning of "Detroit Rock City," from 1976's Destroyer.

The excitement and energy of Kiss' show was captured perfectly by rock vet producer Eddie Kramer, and the song that benefited perhaps the most from the live setting was "Rock & Roll All Night." "Rock and Roll All Nite" is a song by American heavy metal band Kiss, originally released on their 1975 album Dressed to Kill. [6] Kiss performed the song during the closing ceremonies for the 2002 Winter Olympics in Salt Lake City which proved to be Ace Frehley's final performance with Kiss to date. Reminiscent of the band's unfocused late-'70s period, few tracks on Psycho Circus featured all four members playing together (most tracks were supplemented with session musicians), as the band seemed more interested in flooding the marketplace with merchandise yet again instead of making the music their top priority. By April of 1975, the group had released three albums and had been touring America constantly, building up a sizable fan base.Culled from those numerous concerts, Alive! The hard rockers creep into prog, post-grunge, and symphonic pop. The sessions were being produced by the head of their label (Casablanca), Neil Bogart, who was upset that the band had yet to successfully capture the excitement of their live act on record, and wanted to correct the problem himself. After showing the new line to Simmons, he added parts from an older song, reportedly titled "Drive Me Wild". The group was never seen in public without wearing their makeup, and their popularity was growing by leaps and bounds; the membership of the Kiss Army, the band's fan club, was in the six figures.Even such enormous popularity had its limits, though, and the band reached them in 1978, when all four members released solo albums on the same day in October.

Bogart suggested that the band's head songwriters, singer/guitarist Paul Stanley and bassist Gene Simmons, come up with an anthem that would serve as a rallying cry for Kiss and their fans -- suggesting something akin to Sly & the Family Stone's "I Want to Take You Higher."

They were abruptly called off tour to work on a follow-up to 1974's Hotter Than Hell when the album began to die on the charts, even though they had no new songs ready. Nor did it immediately replace "Let Me Go, Rock 'n' Roll" as the closing number. Decked out in outrageously flamboyant costumes and makeup, the band fashioned a captivating stage show featuring dry ice, smoke bombs, elaborate lighting, blood spitting, and fire breathing that captured the imaginations of thousands of kids. The Kiss Unplugged version features Ace Frehley and Bruce Kulick sharing the solo. The chorus of the Alive! The studio version of the song peaked at No. 2: 20th Century Masters. Here's your soundtrack.

It was a sound that laid the groundwork for both arena rock and the pop-metal that dominated rock in the late '80s.Kiss was the brainchild of Gene Simmons (bass, vocals) and Paul Stanley (rhythm guitar, vocals), former members of the New York-based hard rock band Wicked Lester; the duo brought in drummer Peter Criss through his ad in Rolling Stone, while guitarist Ace Frehley responded to an advertisement in The Village Voice. [citation needed]. A subsequent live version, released as a single in October 1975, eventually reached No. With Casablanca in deep financial trouble, Kiss was thinking of leaving for another label, but on the insistence of the others, decided to issue a live album later in 1975 -- Alive! In 2014, after 15 years of eligibility, Kiss was inducted into the Rock & Roll Hall of Fame. With record label Casablanca in deep financial trouble, Kiss was thinking of leaving for another label, but decided to issue a live album, Alive!, later in 1975. Simmons' record was the most successful, reaching number 22 on the charts, yet all of them made it into the Top 50. Copyright © 2020 Apple Inc. All rights reserved. The sessions were being produced by the head of their label, Neil Bogart, who was upset that the band had yet to successfully capture the excitement of their live act on record and wanted to correct the problem himself. While the ensuing tour in support of Psycho Circus was a success, sales of Kiss' reunion album weren't as stellar as anticipated. Some of the road crew used their jacket zippers to create sound.[3][7]. It was released as the A-side of their fifth single, with the album track "Getaway".

Animalize, released the following year, was just as successful, and the group essentially recaptured their niche. In 2017, a career-spanning single-disc best-of, Kissworld, was released to coincide with a massive world tour of the same name. While it had a great singalong chorus, when the song was issued a single a few months later, it didn't exactly storm up the charts. However, the album's version of "Rock and Roll All Nite" was included in The Box Set which was released on November 20, 2001. [8] The original version also ends while fading away; all live versions end with the last notes of another Dressed to Kill song, "Getaway". ~ Stephen Thomas Erlewine & Greg Prato. A subsequent live version, released as a single in October 1975, eventually reached No. While "Rock and Roll All Nite" would eventually become a fixture in Kiss's live performances, it was not inserted into the band's setlist immediately. The studio version of the song peaked at No. Two weeks later, the band was signed to Neil Bogart's fledgling record label, Casablanca. Kiss Unmasked was their first record since Destroyer to fail to go platinum, and 1981's Music from the Elder, their first album recorded with Carr, didn't even go gold -- it couldn't even climb past number 75 on the charts. (The band was being so rushed to come up with material that they would have to dip into their backlog of older songs, as well as write new ones during the day, quickly show the others, and record them immediately after.) While writing back at the hotel, Stanley came up with the line "I want to rock and roll all night, and party every day." One of Bogart's instructions to the band was to compose an anthem, something he felt the band needed. You can almost feel the heat from the pyro. (Live).

They chose the latter. After their excellent self-titled debut album failed to take over the world—but did well in Detroit!—Kiss came back later that same year, 1974, with.

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