What makes this little crime movie as effective as it is, has something to do with the casting of unconventional Dan Duryea in the lead as the unscrupulous reporter. Cy Endfield would go on to do his most notable work in British cinema, and The Underworld Story lacks a lot of the polish of his later works. Crime. Tabloid journalist Mike Reese (Dan Duryea) is fired from his job when a story he runs is blamed for a gangland assassination on the steps of City Hall. | Sign Out | My Profile . The actual act of writing isn't interesting; the stories…, Suspenseful melodrama with great performances by Dan Duryea as a sleazy journalist and Gail Storm as the spunky owner of a small-town newspaper; the biggest drawback/distraction is the white actress portraying an African-American woman accused of murder, which is a stark reminder of how casual racism was (and remains) so deeply ingrained in society. The sleeve on the VHS release of "Underworld Story" calls it "a powerful indictment of sensationalistic journalism." There's an unnecessary use of black face (obviously, anytime it's been used it's unnecessary). It's a newspaper story that centers around a high-profile murder with racial overtones.
he went into exile the following year rather than face the committee. It was released (1951, through United Artists)as the first of the Hollywood Ten were going off to prison. Those of us who count him among our favorite character actors will not be disappointed in his star turn here. When a local black woman is suspected (revealed to the audience early as a scapegoat), Reese turns the story into a media circus and soon his reporting is back in the spotlight again. Arriving at the town he finds the environment quaint & storied, not much going for it but when a woman's body turns up, the daughter-in-law of a newspaper tycoon who resides in the sleepy burg, played by Herbert Marshall, Duryea smells a hot lead. With Dan Duryea, Herbert Marshall, Gale Storm, Howard Da Silva. Subscribe to the TCM Shop newsletter for discounts and exclusives. Complete with sardonic grin and usual wisecracks, he is in his element as the editor-in-search-of-scruples.It carries the Warner Bros. patina - a gritty crime melodrama with a mix of social commentary and thick-ear rough stuff, and with a curious collection of supporting characters. And personal favorite Herbert Marshall doesn’t seem to have gotten over what Bette Davis did to him in The Letter. A reporter forced to the bottom rung, trying to win the spotlight again at a small town paper he bought (because hey, who would hire….
Well, The Underworld Story is basically The Duryea Show; he gets to be the good guy in the end, doesn't slap anyone, and chews up the scenery. [35mm]. In one one his few starring roles Dan Duryea plays a most cynical newspaper reporter who was fired off his paper and then with money advanced him from ), I recorded this Noir Alley offering a while ago (whenever it aired) and I just watched it a few days ago.
A real page turner from start to finish, this film dwells heartily in the moral grey zone w/its direction sharply drawn & wonderfully acted.
this scheming reporter is forced to leave the big city after suspected association with a mobster (howard da silva in a fun sneering performance a year before he was blacklisted). His quest for justice leads him to Switzerland and Argentina. Im not including ones I've…. The set up is similar to Ace in the Hole and also looks at Fake News 1950s style. Want to share IMDb's rating on your own site? The Underworld Story is a 1950 American film noir crime film directed by Cy Endfield and starring Dan Duryea, Herbert Marshall, Gale Storm, Howard Da Silva and Michael O'Shea. TM & © 2020 Turner Classic Movies, Inc., a WarnerMedia Company. Mike Reese is a reporter who is about as sleazy as they come. Claude is a ruthless and efficient contract killer - until he finds his next target is a woman. a good tough script made on a budget of $500,000 by director cy endfield, an outspoken social critic on a collision course with HUAC. The movie starts as a Noir Crime Thriller, then becomes a 30's-style social drama, then switches back to noir and crime -- but it never loses its style, its verve and its pace.
Every film listed in the Film Noir Encyclopedia 4th Edition: Classic Period by Alain Silver, Elizabeth Ward, James Ursini and…, + beyond, both screenwriters and writers whose works were adapted.
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