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Mohsen Makhmalbaf, the itinerant Iranian filmmaker, has made 31 movies in eleven different countries. Voor het berekenen van de totale sterrenbeoordeling en de procentuele verdeling per ster gebruiken we geen gewoon gemiddelde. A documentary set within the Baha’i gardens in Haifa, Israel, The Gardener announces itself as a political work from the first shot, as Makhmalbaf and his son, Maysam, each operate cameras as they traverse the grounds. In granting considerable time and space to observe the slow revelations of his characters, and rooting them so firmly in natural splendor, he turns this artificially constructed scenario into something that feels not only authentic, but genuinely spiritual. There are only two relatively minor caveats: A Snake of June displays some persistent distortion at the top and/or bottom of the frame, and the SD video origins of Haze (not to mention its murky lighting schemes) leave the transfer looking noisier than usual. This is a handsomely shot film, and it’s a clever touch on the part of the filmmakers to make it seem as if the camera is often hidden from view, as if the audience were spying on the action. There’s the ubiquitous emotional triangle (love, per se, not necessarily factoring into events), often with the focus on a strong, catalyzing woman caught between two very different men; an abiding interest in perverse, or at any rate extremely fetishistic, forms of eroticism; and a fixation on the human body, prone as it is to endless varieties of usually disturbing metamorphosis, in fraught relationship with its immediate environment. (The film’s most shocking horror isn’t an act of bloodletting, but the long deferred reveal as to who Stefan’s mother really is and why he’s afraid to introduce his blushing bride to her face.) Things get even weirder in the final scenes when the wholly transformed salaryman is wooed by the “metal fetishist” (Tsukamoto) into complete bodily fusion. The soundtrack isn’t quite as rich—it’s easy to long for more natural ambience that simply isn’t there in the source material—but in a film of so many quiet passages and whispered monologues, there’s never anything inaudible. Verder worden recensies ook geanalyseerd om de betrouwbaarheid te verifiëren. Mohsen Makhmalbaf: The Poetic Trilogy hier verkrijgbaar op Zavvi.nl, dé plek voor entertainment en merchandise, tegen een lage prijs! T he pain that lingers beneath the surface of Mohsen Makhmalbaf’s “Poetic Trilogy” emanates from a careful melding of the cinematic image and the sociopolitical realities of daily life in Iran. This collection presents three of Makhmalbaf’s most lyrical films which the director has termed his Poetic Trilogy.Gabbeh tells of an elderly couple who stop by a stream to wash a vividly woven traditional Persian rug (‘Gabbeh’).
The Blu-ray release is a two-disc set, with Gabbeh and The Silence on Disc One, and The Gardener and most of the extra features on Disc Two. Finally, there are archival behind-the-scenes featurettes for A Snake of June, Vital, and Haze, as well as the requisite trailers, image galleries, and even some music videos. Though The Silence opts for a less ornamental color scheme than that of Gabbeh, it translates much splendor to the aural qualities on the soundtrack, as Khorshid (Tahmineh Normatova), a young blind boy, becomes obsessed with the transporting qualities of classical music. The particular layout of one unexpected setting, which sees members of the lower class literally occupying a space below the rich, doubles as an ingenious metaphor for class subjugation. The images also follow a difference sense of order, lingering on close-ups, finding a purity of expression in light, colours, sounds, in youth, beauty, music and dance. Regardless of context, Peck doesn’t even attempt to conjure the evil of an iconic killer, as his Jimmy Ringo is refined and unruffled, seemingly untouched by violence, and this disjunction is the point here. The disc’s single sound track, in English LPCM 1.0, is correspondingly nuanced, intensifying the film’s influential use of diegetic sounds to establish location and magnify suspense. This red town cuts to the truth of the lonely brutality of western settlement in general, and could’ve sprung out one of Roger Corman’s most surreal productions, particularly The Masque of the Red Death. In an entertaining 20-minute archival interview, Michael Caine talks about his outrageous first day on the set when Furie burnt a copy of the script in front of him, deciding to have the film rewritten as they shot. Bong historic international breakthrough receives a superlative Blu-ray package from Criterion. And then the morning-edition headlines start ringing the alarms about serial killings in nearby Bruges, and the countess’s traveling companion, Ilona (Andrea Rau), starts pulling grotesque poses outside the young couple’s bedroom window.
We appreciate your support. When the film’s hero, Harry Palmer (Michael Caine), awakens blurry-eyed, putting on his thick pair of glasses before going about his mundane morning tasks, he feels very much like an ordinary bloke. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. The desperate, craven urge to live overwhelms, and it’s a shock to the characters, just as much as it to the audience. Filmmaker and author Alex Cox provides an authoritative commentary, albeit one that starts off a bit slow and seems on occasion out of sync with the on-screen events. The films are all provided with Master Audio tracks that range from mono to 5.1 surround, all of which do fine by the films’ percussive sound design and evocative scores from Chu Ishikawa, which run the musical gamut in style from hardcore industrial to synth-heavy prog rock. Arrow has unleashed an absolute monster of a box set devoted to the exploits of our favorite giant, flying, saber-toothed turtle. Rangone packs a lot of information into a compact run time, takes a suitably jocular tone, and often concludes with an amusing bit of ballyhoo. Meanwhile, the 2.0 Master Audio track is rich and very nuanced, lending particular, disturbing body and vitality to the violent scenes, though the small sounds are also pristinely rendered. We delen jouw creditcardgegevens niet met externe verkopers en we verkopen jouw gegevens niet aan anderen. The 2K scans of Gabbeh and The Silence showcase magnificent transfer work by Arrow Films.
Close-Up (The Criterion Collection) [Blu-ray], Cinema Paradiso (Special Edition) [Blu-ray], Alejandro Jodorowsky: 4K Restoration Collection, Woman Is The Future Of Man, Tale Of Cinema: Two Films By Hong Sangsoo (Special Edition) [Blu-ray], Akio Jissoji: The Buddhist Trilogy [Blu-ray] [Import], The Elephant Man (The Criterion Collection) [Blu-ray], The Koker Trilogy (Where Is the Friend’s House?/And Life Goes On/Through the Olive Trees) (The Criterion Collection) [Blu-ray], Beau Travail (The Criterion Collection) [Blu-ray]. Mohsen Makhmalbaf: The Poetic Trilogy Blu-ray | Arrow Films ... Arrow Films Remarkably, Bong even finds room for a commentary on Korean peninsula relations. And all the while, King and cinematographer Arthur C. Miller accentuate the vastness of the saloon while vividly establishing the spatial relationships between the bar and the surrounding buildings, imparting the sense that Ringo could get plugged anytime from anywhere. Finally, there are any number of archival interviews, featurettes, promotional materials, and even a comedic dub track or two. Kino Lorber’s release of Sidney J. Furie’s seminal British spy film boasts a strong A/V presentation and an abundance of fascinating extras. Stamp comes across as a funny, introspective sort, and it’s a delightful 37 minutes. As the foursome make their way toward a rendezvous in Paris, both Braddock and Myron have occasion to inquire after Parker’s apparent lack of concern over his inevitable fate.
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