The gist of the film is "Music is great! and there's…. Der Regisseur dieses Films mag Filmmusik und die Leute in diesem Film mögen Filmmusik.
If you like scores to any degree, then I highly recommend Score. the bits of insight into the scoring of movies like the social network, american beauty and inception were particularly gratifying. Music can move people!" So good! Ich mag Filmmusik. Report this film, cinematically speaking, this isn’t as well put together as it could have been, but the subject matter here is so fascinating that i could care less. Are there no female composers in the film business?
arranged chronologically by 1. movies about general music, labels 2. movies by musicians, visual albums 3. movies about…, Stephen Williamson 7,704 films 271 5 Edit, Documentaries that look at various aspects of cinema around the world -- the themes and genres, the eras and evolution,…, anddddddd this is a reminder that i need to watch more of them, David Gómez-Rosado 1,305 films 387 48 Edit, Perhaps the most evocative trope in movie posters: Revealing the back renders anonymous the protagonist of a movie, it invites…, Gravitas Ventures is a worldwide distributor of independent feature films & documentaries - Also part of Red Arrow Studios. and the whole john williams portion is magical. As “Score: A Film Music Documentary” reminds us, the same can be said about the music in a film. If you like scores to any degree, then I highly recommend Score. Score: A Film Music Documentary. The John Williams section is quite magnificent and reminded me of the magic he has brought to films.
They discuss theories of score and show the impact by doing things like showing the Psycho shower scene without score then with. This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply.
Exactly zero narrative arc to speak of— really just a feature length commercial for film composers. Show All… "and then you add the music...and so it's better," -Everyone, Scavenger Hunt #44: boxd.it/27RigClue 13. He’s one of those cute,... You might be familiar with Jim Cummings’ debut feature “Thunder Road”, but all the reviews say... Mike takes a look at BORAT SUBSEQUENT MOVIEFILM: DELIVERY OF PRODIGIOUS BRIBE TO AMERICAN REGIME FOR... Click to share on Facebook (Opens in new window), Click to share on LinkedIn (Opens in new window), Click to share on Twitter (Opens in new window), Click to share on Pinterest (Opens in new window). Music is an integral part of most films, adding emotion and nuance while often remaining invisible to audiences. The film highlights different composers and their unique approaches to music, sure, but it's a bit of a one-note-song (no pun intended) when it comes to the nature of the discussion. A beautiful metaphor for art itself, not just music. This documentary takes one essential element of the process...namely the writing, performance and synchronization to visuals and story of the musical score...and scores!
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one hell of an interview lineup and with great moments. this movie focuses a STUNNING AMOUNT on the composer who wrote the music for the Minions movie. Report this film, cinematically speaking, this isn’t as well put together as it could have been, but the subject matter here is so fascinating that i could care less. And the Thomas Newman section. You also wouldn’t believe a documentary about movie music would make you cry (apart from when it shows us clips that made us cry first time around), but it ends off with a funny and lovely tribute to James Horner, who died in 2015. I eat this kinda shit up! it takes so many different elements to make a film, i would eventually love to see a documentary about every branch and process, When they give more screen time to the guy who scored minions than Hans Zimmer, If you wanna talk about the actual filmmaking of the documentary, there's a bit of mediocrity to it. Documentaries on film and the people who make them.
I have been in awe of film scores since our weird media class teacher made us watch the Psycho shower scene and a Jaws attack scene in high school. The Trent Reznor section is just a quick mention unfortunately. A long time has passed since then (sigh) and I think I have learned to appreciate this form of art even more. Are there no female composers in the film business? It's a little shallow and I would have liked a proper in-depth look at the way film scores are actually made, but this covers a lot of angles and highlighted a bunch of my favourite movie musicians. This is a well-done documentary on film score featuring great footage and film discussion. Watching the composers meet with directors like Garry Marshall and Stephen Spielberg is really good insight into the film-making process. esp loved the bit on john williams. Seeing all the individuals who I consider to rockstars all talk about their profession was like heaven. Haven't seen it yet - I'm dying to - but I just wanted to take a moment and celebrate the fact that this exists.
But “Score” might make its most important point unwittingly.
The documentary goes behind-the-scenes and into the recording studios to watch the mad scientists in action. Music can move people!" Although it’s part of the branding of a movie to have a score by Danny Elfman, Mark Mothersbaugh or Trent Reznor, the musical language of the modern blockbuster wouldn’t be what it is without the work of Williams, Bernard Hermann, John Barry, Elmer Bernstein, Jerry Goldsmith or a handful of others. While I can’t play any instrument whatsoever, I have for a long time now adored everything to do with what I believe to be a fundamental aspect to the very soul of a movie.
Why the f*** not? It also doesn't vary much in terms of the topics discussed. I have been in awe of film scores since our weird media class teacher made us watch the Psycho shower scene and a Jaws attack scene in high school.
Rather than telling the story of movie-scores through the eyes of one person, or setting up the film with a "big question" that drives it forward, it's more or less just a statement of the facts and the history of movie scores as a whole. If you know me, you know that I am an unapologetic film score nerd. The ultimate test of a documentary such as this is whether I enjoyed it (I did) and whether it helped me to better understand movies (it did). (Another recommendation to anyone interested in the topic: I read the book Sound: Dialogue, Music, and Effects from the Behind the Silver Screen series earlier this year and it was a good and very insightful read.). musicians talking about music > musicians talking about music AND film >>>>>>. Matt Schrader’s Score: A Film Music Documentary finally gives composers their due. Listen on Apple Music. IMDb Whenever the psychiatrist spoke I disagreed with her points of view, but hey--you can't please everyone. But it’s OK! Music is an integral part of most films, adding emotion and nuance while often remaining invisible to audiences.
For a film lover, and a film professional like myself, a really well made documentary about the processes of film making is inherently interesting and valuable. Viele Clips kannte ich schon von YouTube. So... yeah watch it if you are really into movies.
Es ist besser, man mag Filmmusik für diesen F– ach fuck it, guckt Euch einfach was anderes an.
For a film lover, and a film professional like myself, a really well made documentary about the processes of film making is inherently interesting and valuable. Preview. 2016
A beautiful metaphor for art itself, not just music. 2016 Directed by Matt Schrader. Ich mag Filmmusik.
We use words that don’t really mean what we’re trying to say because there isn’t really a word to describe what a piece of music – or the movie it’s part of – does to you. Share this: Click to print (Opens in new window) Click to share on Facebook (Opens in new window) Click to share on LinkedIn (Opens in new window) There’s a rough chronology about trends and movements in movie music. But in most cases, the music is an invisible part of the whole tapestry that makes up the cinematic experience, and it’s the art of the score that’s celebrated in “Score: A Film Music Documentary”. This is a well-done documentary on film score featuring great footage and film discussion. Matt Schrader shines a spotlight on the overlooked craft of film composing, gathering many of the art form’s most influential practitioners, from Hans Zimmer and Danny Elfman to Quincy Jones and Randy Newman, to uncover their creative process. TMDb More details at (Another recommendation to anyone interested in the topic: I read the book Sound: Dialogue, Music, and Effects from the Behind the Silver Screen series earlier this year and it was a good and very insightful read.). Mobile site. in the winning goal sense. But it’s OK! Directed by Matt Schrader. Or the section where they talked about John Williams.
Cinema Looks at Itself: Both Sides of the Screen, lucy’s big list of quarantine recs: amazon prime edition. The film achieves this with probing interviews with scores [heh] of composers, musicians and technicians along with an incredibly stirring array of filmed sequences that are memorable enough to both move (I teared up at times) and pointed enough to educate.
A film or documentary which features any part of the film-making process (11/30 Completed). In addition, there is a large section on John Williams, which makes sense. I've always loved movie scores (since first grade when I would get in trouble for humming them in class), and so I couldn't be happier to watch this on digital.
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