Written by Two bandits enter an express car, kill a messenger, and open a box of valuables with dynamite. [5] However, many other filmmakers aimed for more elaborate productions.
I enjoy this film even though it is very old and compared to today's cinema, very limited in its attempt at realism. In the years leading up to The Great Train Robbery, the film industry was marked by much innovation and variety. This film and this sequence of the gangster shooting the audience was solidified in cinematic history when Martin Scorsese pays homage in 'Goodfellas', with Joe Pesci gun barrage and sinister look. The film stars Sean Connery, Donald Sutherland, and Lesley-Anne Down Other members of 5 Squad. (uncredited). Some scenes were photographed at the Edison studio in New York, and others were done in New Jersey, in Essex County Park and along the Delaware, Lackawanna and Western Railroad. Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist. Collect bonus rewards from our many partners, including AMC, Stubs, Cinemark Connections, Regal Crown Club when you link accounts. His task to improve Edison's existing projecting equipment was a marked success, and Porter was given a regular job as the cameraman for Edison's New York film studio. The narrative momentum of the film is cast aside, then the fourth wall of the screen is broken by his gaze, only to be further ruptured by his bullets. The Great Train Robbery would treat the rail theme more elaborately than was common, showing its train from various angles and involving it in a dramatic adventure. Some studios, such as the Edison Manufacturing Company and the Lumière company, were best known for short sketches and actuality films presented in a straightforward style,[4] often only a single shot long. [40] One of the leading contributors to this later Western film boom was Porter's colleague Anderson, now billed as Broncho Billy Anderson. [13] A Daring Daylight Burglary, a British chase drama from the Sheffield Photo Company, has frequently been cited as particularly influential;[4][19] it and another British film, Desperate Poaching Affray, were successfully imported to America and started a decade-long vogue for films centered on chases. [35] Unusually for the time, the film was even described in detail in the New York Times; the anonymous reviewer criticized most of the players, but praised the horse riding and stunts, concluding: "All this is the result of poor acting, but the results are certainly astounding. [9], The Edison studio, facing growing competition from other American companies, welcomed Porter's ambitious plans. The movie is 12 minutes long and is considered the first narrative film in history. Many American films before 1900 can be classified as Westerns,[14] such as actuality views of cowboy life, staged Western anecdotes like A Bluff from a Tenderfoot and Cripple Creek Bar-Room Scene (both 1899), and shots of Annie Oakley and of Oglala and Brulé dancers from Buffalo Bill's Wild West Show (both 1894). Sign up for a FANALERT® and be the first to know when tickets and other exclusives are available in your area. A life size picture of Barnes, leader of the outlaw band, taking aim and firing point blank at each individual in the audience. [33] It played as the headlining attraction in many vaudeville houses, and showed up frequently at two other entertainment venues that proliferated across the United States in the following years: immersive venues where the spectator took simulated railroad journeys, such as Hale's Tours of the World,[34] and a new kind of film venue, the nickelodeon, where The Great Train Robbery was often the first attraction shown. The United States Marshals Service tracks down the gang and finally defeats them in a climactic fight, with cowboys and Native Americans drawn into the fray. [41] By mid-century, mistaken claims that it was the "first Western" or even the "first story film" were common. Cast Gilbert M. Anderson Bandit George Barnes Bandit A.C. Abadie Sheriff Walter Cameron Sheriff Tom London Morgan Jones Marie Murray Dance-Hall Dancer Mary Snow Little Girl Crew Edwin S. Porter Cinematographer, Director, Screenwriter Edwin S. Porter Cinematographer, Director, Screenwriter Edwin S. Porter Cinematographer, Director, Screenwriter Get your swag on with discounted movies to stream at home, exclusive movie gear, access to advanced screenings and discounts galore. You must be a registered user to use the IMDb rating plugin. We know life happens, so if something comes up, you can return or exchange your tickets up until the posted showtime. [7] (At this point in the American film industry, this job title included operating the camera as well as exercising the creative control that would later be called film directing. The article adds that a real fireman and engineer play those respective parts in the film, and that the filming caused some disturbance when the dummy thrown off the locomotive was mistaken by passersby for a real accident victim. This audience point of view shot makes me feel like the narrative of the train robbery enticed me to cheer for the Sheriff, and the angry gangster shoots at me because I was cheering for his enemy. After dangerous and uncertain moments, the fireman save the woman' s son, too. But today's cinema would not be what it is without the original innovation of cinematic devices by Edwin S. Porter, one of films first masters. movie theaters are playing The Great Train Robbery (1903) near you. The cast included Justus D. Barnes and G. M. Anderson, who may have also helped with planning and staging. [16] Edison's 1901 film Stage Coach Hold-up, based on Buffalo Bill's "Hold-up of the Deadwood Stage" act, probably influenced Porter directly. [26] Porter cut his shots together to suggest action happening simultaneously in different locations, as he had done in Life of an American Fireman, but more efficiently than in that film. They are then pursued by a Sheriff's posse.
He began attempts to bring Edison films to a similar level of achievement,[4] later recalling: From laboratory examination of some of the popular films of the French pioneer director, Georges Méliès—trick films like A Trip to the Moon—I came to the conclusion that a picture telling a story might draw the customers back to the theatres, and set to work in this direction. The men quickly form a posse, which chases the bandits through the mountains. Cast. Title: One historian commented that later Porter efforts like The Count of Monte Cristo (1913) were "if anything a retrogression from The Great Train Robbery and had less innate cinema sense. [27] The Edison Manufacturing Company's promotional leaflet about the film describes this scene as follows: Scene 14—REALISM. The Great Train Robbery garykmcd.
[44] In popular culture, numerous films and television shows have referenced the film and the iconic Barnes close-up: This article is about the silent film. The stream-crossing scene was filmed at Thistle Mill Ford in the South Mountain Reservation of Essex County Park. Enter your location to see which Not a remake of the landmark 1903 Edwin S. Porter film, The Great Train Robbery is a dramatization of the famous first hold-up of a moving train in 1855 England. His work was limited specifically because he used the static camera affecting the impact of each of his shots. The door suddenly opens and the telegraph operator rushes in to tell them of the robbery. They are then pursued by a Sheriff's posse.
Looking for movie tickets? A group of astronomers go on an expedition to the Moon. A special close-up shot, which was unconnected to the story and could either begin or end the film depending on the projectionist's whim, showed Barnes, as the outlaw leader, emptying his gun directly into the camera. [12], Porter (and possibly Anderson) drew on various sources when planning the scenario for The Great Train Robbery. [25], However, the film successfully collected many popular themes and prevalent techniques of the time into a single accessible narrative. [11] Porter's next major film was The Great Train Robbery; Porter was in charge of production and photography, while Anderson may have assisted on staging.
The posse finally overtakes the bandits, and in a final shootout kills them all and recovers the stolen mail. Luis Buñuel and Salvador Dalí present 16 minutes of bizarre, surreal imagery. Camera pans, location shooting, and moments of violent action helped give the film a sense of rough-edged immediacy.
The Great Train Robbery is a 1903 American silent short Western film made by Edwin S. Porter for the Edison Manufacturing Company. [36][40] These, especially the actualities, gradually decreased in vogue, and it was not until 1908 that American Western films began to proliferate in earnest. (uncredited), Trainman / Bandit The Stoneman family finds its friendship with the Camerons affected by the Civil War, both fighting in opposite armies. The final shot, in which Barnes fires at the camera in a framing reminiscent of a wanted poster, is the film's only close-up, and does not function as part of the plot. [23], Porter's filmic style for The Great Train Robbery was not on the cutting edge for 1903; it is comparable to numerous other films released around the same time, such as The Escaped Lunatic, a popular Biograph Studios comedy about wardens chasing an escapee from a mental institution, and Runaway Match, a British Gaumont film featuring an extended car chase sequence. It follows a gang of outlaws who hold up and rob a steam locomotive at a station in the American West, flee across mountainous terrain, and are finally defeated by a posse of locals. The film, especially the close-up of Barnes, has become iconic in American culture, appearing in numerous film and television references and homages. The short film draws on many sources, including a robust existing tradition of Western films, recent European innovations in film technique, the play of the same name by Scott Marble, the popularity of train-themed films, and possibly real-life incidents involving outlaws such as Butch Cassidy. [4] However, his job also gave him the chance to view the many foreign films the Edison company were distributing and pirating,[8] and around 1901 or 1902 he discovered the more complex films being made by Méliès and the Brighton School. [33] Critiquing these inaccurate legends and citing the film's actual lack of impact on the Western genre, historian Scott Simmon comments that in fact the film's "main surprise in retrospect is how it led nowhere, either for its creator or the genre, beyond serving loosely as a narrative model for gun-wielding crime and horse-chase retribution. [22], Porter filmed The Great Train Robbery in November 1903. His daughter arrives, bringing him his meal, and cutting him free when she discovers him bound; she restores him to consciousness by dousing him with water.
Porter's storytelling approach, though not particularly innovative or unusual for 1903, allowed him to include many popular techniques of the time, including scenes staged in wide shots, a matte effect, and an attempt to indicate simultaneous action across multiple scenes. Among the earliest existing films in American cinema - notable as an early film to present a narrative story to tell - it depicts a group of cowboy outlaws who hold up a train and rob the passengers.
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