The slower tempos may upset many purists, but in reality, the riffs in, say, "Of Wolf and Man", are really not that different from the riffs that Metallica had come up with in the past.
Most of the rest of Metallica tries to go for a more weighty, riff-centered approach and that's what is heard whether the song is a radio staple or a deeper cut. The song riffs, vocals, bass, and drums all struck me to finally say that it's worth picking up. The guitar work itself is very good with a solid variety of tempos and memorable solos. I find that the tracks that still have face, the ones with melancholy and pain are those that resonate most strongly and continue to give me joy even as I lay flowers at the grave of what these giants once were.
The riffs for the most part are no longer highly aggressive or technical in the mould of their first 3 albums or droning and monolithic as was the case with ...and Justice for All, rather they take on a highly simplified heavy/groove metal character with only a handful of riffs per song.
These songs are just boring most of the time. There's also the fact that the guitars are pretty heavy, even for this album. vibe and Newsted makes his bass chug and squawk in ways that would make Burton proud. It adds a highly judgemental metal tint to a traditional, laid back ballad. and has nice heavy intro riff with annoying vocals by James’s that seems to be all over the place in the song thanks to effects but it actually manages to make through it’s length impressively. The production on this album is just…not good. The worst offenders in this category are "Enter Sandman", "Sad but True", "Don't Tread on me", and "The God that Failed". It is brilliantly and sensitively constructed, possessing multiple layers of composition and performance, and yet quite moving in it's lyrical sentiment. The guitars were simple yet still great and heavy; Kirk's mind is infinite in solos and riffs. It's definitely not the worst case of Def Leppard's Disease I've ever heard.
Besides, as the biggest selling metal album of all time, it would criminal to call yourself a metal fan and not know this album, simply for the sake of history. I wouldn't consider this release to be a sell-out, but they did have a "happier" form of Metallica instead of the more darker side of the band. I would also add that the black album is not the point where they “abandoned” thrash metal.
Nothing Else Matters is a well-known ballad. This album is not complete donkey crap, but it is pretty much complete donkey crap. And the odd man out here is "My Friend of Misery", Newsted's baby. "Don't Tread On Me", though, two songs later, really fails. Edwin Outwater, the conductor for the San Francisco Symphony.
Very rarely is this album listened to objectively, so this is what I tried to do. Musically, this is Heavy Metal with a whole lot of groove and the occasional thrash riff with a lot of the ‘party’ feel to it. This song deals with the same themes as the others, but where the others all rage at the injustice of it all, "The Unforgiven" is written by a tired man, one beaten down by the rigours of the world. Other than that I would say that “Metallica” as an album is not as good or as quality-oriented as any of the band’s previous recordings, song writing-wise. ), and the drums, while slightly snare heavy, are full and fat. If nothing else, thank Bob Rock for that. And since most of the people against this record cry foul at it's success, they ought to be happy the music went back underground where they could be 'unique' in holding it to their bosoms. Like I said, most of the stuff here is good - not quite solid, though.
This album is slowed down compared to previous records, but that doesn’t make the music any less heavy. Now move to the record itself. Hammet - In my opinion Hammet has always been the weak link in Metallica, his solos are highly forgettable, with the exception of most of the work he did on the various ballads that appeared on the last 4 albums.
The problem with it is that it is quite harmless like an 'Iron Maiden Number Of The Beast' in which nothing eventful occurs and which just plods along it's length. It must be said that in order for Metallica to make their self-titled effort to be friendly to the public, they also ditched their more political lyrical themes found on their preceding albums in favor of writing of various things. I don’t treat “…And Justice for All” as a semi-progressive album: the song lengths are the only thing about it that is reminiscent of prog. Not that he is an aggressive vocalist but he had much more power behind his voice on the first four records.
Be it the conformist music of teeny boppers like Britney Spears or the even more pathetic fashionable non-conformist music of most mainstream rock. Sickeningly catchy vocal melody, quite possibly the most memorable solo Kirk has ever done, and a simple but effective main riff. Then again, there was Lars Ulrich's famous quotation, "Fuck MTV! This album was monstrous with how commercial it was for heavy metal, and even for rock music in general. Bob Rock might as well have delivered the best sounding album ever in heavy metal’s almost 40 years of existence. Let me state for the record that I am a fan of many of the bands Bob Rock produced, but the way of thinking that he functions under and applies to an album's format, I can not condone. If I had to put this in a genre, I would call it grove/doom metal. Metallica’s first release of the 90’s couldn’t be better...or in other ways, i guess it could be, but i have no major complaints about this album. Some proof of that comes in the form of "Through the Never", which, like I said, is a pretty driving song. This is only my opinion:
The ballads are hardly sell outs, especially since they've had them since day two.
Though the sound is fairly uniform throughout the album, there is variety in the songwriting to appeal to different groups and different moods. James Hetfield may not be the best singer, but it’s fun to hear his singing suit the softer moments of the album. It is a landmark for all the reasons: as I said before, the classics that still remain, the millions sold (either if it’s a good or a bad sign), the tour… I would call it a drastic paradigm shift, I guess. Lars has always been his sucky self but he actually delivers a good drum intro to “The God That Failed”!
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