Top Sellers Newest Items Title: A-Z Title: Z-A Lowest Price Highest Price New Releases Old Releases. Accepting rock’s misogynist streak like it’s a birthright, Kiss arguably did more to ruin rock ‘n’ roll than poor disco ever did, so a tribute to Gene Simmons et al. It was initially a joke – and took only 10 days to make – before the band decided to release it.
The most interesting of them (“most interesting” as opposed to “best,” which is not an especially applicable word, or “least worst,” which is too clunky) include something unexpected and surprising, like Sarah McLachlan trying nobly to sell the righteous indignation of XTC’s “Dear God” on A Testimonial Dinner or Sparklehorse turning Vic Chesnutt’s “West Of Rome” into a Rube Goldberg whirligig of rustic industrial noise on Sweet Relief II: Gravity Of The Situation. Sinead O’Connor, David Byrne, the Neville Brothers, and Iggy Pop acquit themselves just fine, but the highlight is this medley by Kirsty MacColl and the Pogues, a sequel of sorts to their holiday hit “Fairy Tale Of New York.” They suture these two songs together to create a larger story about a society woman and the rogue who tempts her to disgrace. A few rules apply.
And a country music tribute record just wouldn't be complete without Emmylou Harris. Slightly creepy, the ‘Buddy Holly’ man’s fuzzy, quietly sinister reworkings of Christmas classics like ‘Hark The Herald Angels Sing’ is darkly hilarious. His performance is all growling antagonism and unhinged rock showmanship, making it the one precious moment that punctures the piety of the proceedings. Video: BTBAM Guitarist Watches Fan YouTube Covers! Standing in the Various Artists section of Tower or Sam Goody or some other long-dead chain, you knew that John Lennon tribute with Cheap Trick, the Flaming Lips, and, well, Blues Traveler wasn’t going to be worth the money, but if you considered yourself a completist, if you were a diehard fan of a particular band, it was hard to resist the lure, even if you knew it was a lure. Camel's strongest and most progressive record, 1974's 'Mirage' was a huge improvement on the group's mellow debut. Written off as a Hollywood vanity project, the Lost In Translation star’s Tom Waits tribute has held up incredibly well, huskily reimagining the bluesy American’s canon with help from TV On The Radio’s Dave Sitek. Don’t expect any surprises here, folks–it’s all polished power-thrash, the whole time, and that’s 100% okay. This is the rare tribute with a curatorial theme: emo bands embracing the Pixies as an emo-before-emo band. By Heavily influened by Miles Davis' 'Bitches Brew', this third album from the Canterbury outfit saw the group eschew the playful psychedelic style found on their first two albums, instead producing a full-blown, double-sided jazz-fusion epic. They’re storehouses for oddities and failed experiments, chronicles of pop acts collectively reconsidering music history on a mass scale. Rather than simply end, the song trails off with Stipe doing his best Vincent Price impersonation, and you imagine them playing the song for hours and thinking up funnier and weirder ways to say they’ve ambled alongside the undead.
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