There is a whirling disco ball spinning above, throwing its lights across the grime. There are a lot of catchy Iranian pop songs, and a couple of sequences are built explicitly around the song used as underscoring. Als die junge Frau die Prostituierte neben Arash Vater entdeckt und erkennt, dass beide unter Drogen stehen und Arash Vater die Prostituierte gezwungen hat, die Drogen zu nehmen, tötet sie den Mann und lässt gemeinsam mit der Prostituierten die Leiche verschwinden. Essentially, "A Girl Walks Home Alone at Night" is a film about film, a fresh and exciting re-imagining of a well-worn oft-told genre. A Girl Walks Home Alone at Night ist ein feministischer Vampirfilm[2] der iranisch-amerikanischen Regisseurin und Drehbuchautorin Ana Lily Amirpour aus dem Jahr 2014. There is a little boy wearing a ragged coat (Milad Eghbali) who is a witness to everything, an innocent bystander to the corrupt and horrifying events of Bad City going on right before his eyes. Similar to Jarmusch, music is extremely important to Amirpour (who has also worked as a DJ), and the music choices in "A Girl Walks Home Alone At Night" are intuitive and perfectly placed. It sounds like a threat. But as with Jarmusch’s films, it presents a stylish place to be stuck.
It is clear in every frame that Amirpour has put her own dream onscreen. For the most part, though, Amirpour helms the ship confidently and with a lot of love and care. Girl Walks Home is set in the backwater Iranian oil town of Bad City, a place so tiny that it only seems to rate one gangster. The opening sequence is classic Spaghetti Western (even down to the font of the title credits), mixed with a James Dean-era aesthetic, with a kid in a white T-shirt, blue jeans, and a 1950s pompadour walking around on the blasted-out outskirts of town. Sie setzt den kleinen Jungen unter Druck und nimmt ihm sein Skateboard ab. Sie hat Kontakt zu verschiedenen Personen. Because she is in a chador, one can make all kinds of political and social connections with that storytelling device: she is an avenging angel of dominated and scorned womankind. Während er auf das Mädchen in der Wohnung wartet, entdeckt er die Katze, die der Vater kurz zuvor mitgenommen hat. Weitere Figuren sind ein Drogendealer, eine Prostituierte und ein Kind. A Girl Walks Home Alone at Night, Movie, 2014 . Still, Amirpour maintains that mood exquisitely well, filling the screen with big, obvious symbols—a power plant steaming industriously away, a train wandering across the image, The Girl turning the small window of her chador away from the camera so she disappears into shadow—that play on her audience’s nerves as well as their sense of familiarity. Both shiver and pulse with unspoken feeling, longing, and an acute and earnest romanticism. Privacy policy. Ana Lily Amirpour’s black-and-white debut feature "A Girl Walks Home Alone At Night," with a vampire in a chador stalking the denizens of an Iranian town called "Bad City," owes a lot to Jarmusch, and in many ways the relationship seen between the two lead characters in Amirpour's film could be seen as the younger incarnations of Adam and Eve in "Only Lovers Left Alive.". Jarmusch isn’t the only inspiration Amirpour drew on for her debut feature, and her fictional small-town Iranian setting does take the story somewhat outside Jarmusch’s usual American metropolises. They are harassed by a cruel, drug-dealer pimp named Saeed, who seizes the young man's prized car in exchange for money the father owes him. Comments about this movie. Is that you? Her film is steeped in slow, sleepy kinesthetics: When The Girl invites Arash into her apartment, they move around each other glacially, as if they’re trying out a new dance in slow motion. At one point, she skateboards down the middle of an empty dark street, her chador flowing behind her like gigantic black bat wings. Amirpour has said she was inspired in part by the way wearing a chador made her feel like a bat, and that mental image becomes clear in a moment where The Girl leaps, and looks both like she’s spreading her wings and like she’s wearing a superhero’s cape. It feels like a film made by a cinephile, rather than a film made for political or social commentary. Display options: Display as images Display as list The characters we meet are archetypes, made strange when in service to Amirpour's unique vision. There are perks, like shaking down Hossein’s soulful son Arash (Arash Marandi) for his beautiful vintage car to pay off Hossein’s drug debts. But the film’s sharp black-and-white cinematography, brooding rock soundtrack, and embrace of James Dean-era cool recalls Jarmusch so clearly that it feels like Tom Waits might stroll by in the background at any moment to tip a melancholy wink to the audience. A Girl Walks Home Alone at Night ist ein feministischer Vampirfilm[2] der iranisch-amerikanischen Regisseurin und Drehbuchautorin Ana Lily Amirpour aus dem Jahr 2014. Im weiteren Verlauf steht die junge Frau im Mittelpunkt der Handlung. April 2015 in die Kinos. Use this guide as your handy mood ring to help you decide. Just when you thought 2014's cinematic vampires couldn't get any more playful (What We Do in the Shadows) or sexy (The Only Lovers Left Alive), the Australian Centre for the Moving Image (ACMI) brings Ana Lily Amirpour's startling debut A Girl Walks Home Alone at Night to the screen from 27 December.A Girl Walks Home Alone at Night premiered at the 2014 Sundance Film Festival and will now screen at ACMI from Saturday 27 December to Monday 26 January.
Spätestens wenn die junge Frau teils alleine, teils zusammen mit Arash immer wieder die Leichen ihrer Opfer in einen Graben außerhalb der Stadt wirft, der schon voll von menschlichen Körpern ist, wird der Film jedoch ortlos und im Irrealen angesiedelt.
Filmed in the desert in California, with an excellent Iranian ex-pat cast, "A Girl Walks Home Alone At Night" introduces us to a sprawling yet interconnected cast of characters. Comments are property of their authors. A Girl Walks Home Alone at Night, Ana Lily Amirpour’s debut film, flips the implied vulnerability in its title. Sheila O'Malley received a BFA in Theatre from the University of Rhode Island and a Master's in Acting from the Actors Studio MFA Program. They have a couple of scenes together, two in particular, one in her basement dwelling place and one out by a power plant, that rank as two of my favorite sequences in any film this year. In Deutschland kam er am 23. Author Message; DocWatson42 2015-03-19 08:22. Er wurde zuerst im Januar 2014 auf dem Sundance Film Festival gezeigt, bevor er am 21. Der Kontrast zwischen dem iranischen Kulturkreis und der feministischen Vampirstory wird geringer, wenn man die betonte ethnische Ausrichtung als Marketingidee der Regisseurin und ihres Teams ansieht, denn ihr familiärer Hintergrund ist eben nur Hintergrund, während sie selbst und alle Mitwirkenden in westlichen Gesellschaften aufgewachsen sind. Dominic Rains plays the pimp Saeed, with the word "SEX" tattooed on the front of his throat, who supplies Hossein with drugs, steals Arash's precious car as payment, and harasses and abuses the prostitute (Mozahn Marnò) who works the dangerous streets for him. By thejennifercarr on October 19, 2017 October 19, 2017. 1957 Ford Thunderbird. Arash, let loose into the night, trying to get his car back from the pimp, trying to meet up with the rich girl at a nightclub, encounters the gliding ghostly figure in a chador a couple of times before they connect. Darunter war auch ein Kurzfilm mit gleichem Titel, mit dem sie den Kurzfilmpreis beim jährlichen Festival des iranischen Films in Los Angeles gewann. November 2014 in den USA anlief. And there are downsides, like attracting the attention of an unnamed dark-eyed vampire (Argo’s Sheila Vand, credited solely as The Girl) who lurks deep in the back of Amirpour’s compositions, watching and waiting, and preying on those who cross her moral boundaries. [4] Die mysteriöse Frau trägt einen quergestreiften Pullover wie Jean Seberg in Außer Atem. Zunächst erscheint und verschwindet sie unvermittelt aus den Schatten der Stadt. [8][9], Freiwillige Selbstkontrolle der Filmwirtschaft, Director Ana Lily Amirpour’s Guide To Filmmaking And „Back to the Future“ Approach to Creativity, A Girl Walks Home Alone at Night: Sundance Review, Sundance Film Review: ‘A Girl Walks Home Alone at Night’, Review: A Girl Walks Home Alone At Night Is Weird, Wild Stuff, https://de.wikipedia.org/w/index.php?title=A_Girl_Walks_Home_Alone_at_Night&oldid=190699236, „Creative Commons Attribution/Share Alike“. Sie dreht nach eigenen Angaben seit ihrem zwölften Lebensjahr Filme und hatte vor A Girl Walks Home Alone at Night nur an Kurzfilmprojekten gearbeitet. There are moments that stand alone, images both familiar (as though seen in a dream or a deja vu), and yet never presented before in just such a way: a black-veiled woman standing on the other side of an empty parking lot, barely perceptible through the gloom, surrounded by nothingness, a figure from a nightmare. Pictures are property of movie companies owner of the respective movies.
Vampires will always be with us, representative as they are of humanity's endless interest in blood-sucking creatures of the night who stand in the tense space where fear meets desire, and two of the dreamiest most romantic movies released this year have been vampire movies. Arash, let loose into the night, trying to get his car back from the pimp, trying to meet up with the rich girl at a nightclub, encounters the gliding ghostly figure in a chador a couple of times before they connect. Am nächsten Morgen findet der junge Arash die Leiche seines Vaters und will gemeinsam mit dem Mädchen aus der Stadt verschwinden. Stasis can make the film sag, on occasion, slacken and lose that taut weird otherworldliness. In a wordless moment he moves towards her as she stands at the record player, her back to him, the music creating a wall of sound, a wall of feeling. A young, hardworking Iranian man named Arash lives with and takes care of his heroin-addicted father, Hossein. The number of influences here could have made "A Girl Walks Home Alone At Night" yet another movie-mad parody or an arch exercise in style; instead, the film launches itself into a dreamspace of its own that has a unique power and pull. Win one of 5 x Adam DVDs, the true story of Adam Niskar. The Girl’s heavily lined eyes, dark hair, and preternatural stillness strongly recall Lina Leandersson in the similarly chilly vampire love story Let The Right One In. At one point, returning from a costume party (where he went as Dracula), he runs into her on a lonely deserted street. A Girl Walks Home Alone at Night Share Share Share Share Share Just when you thought 2014's cinematic vampires couldn't get any more playful (What We Do in the Shadows) or sexy (The Only Lovers Left Alive), the Australian Centre for the Moving Image (ACMI) brings Ana Lily Amirpour's startling debut A Girl Walks Home Alone at Night to the screen from 27 December. There is a rhapsodic catharsis in a moment like that, the stasis of all that came before suddenly releasing itself in a whoosh of emotion. Directed by Ana Lily Amirpour. Zum Vergleich werden Quentin Tarantino, Aki Kaurismäki und Jim Jarmusch genauso herangezogen wie Musikvideos.[2][4][5][6]. When Only Lovers Left Alive came out in April 2014, cinephiles got to find out exactly what a Jim Jarmusch vampire movie looks like right now: an idyll of sumptuous textures, sedentary debauchery, and angst. Nach dem Erfolg in Sundance übernahm das Film-Unternehmen von VICE-Medien zusammen mit 20th Century Fox den Vertrieb. The film ‘A Girl Walks Home Alone At Night’, director Ana Lily Amirpour, is a mixture of genres such as the Spaghetti Western, the teenage romance, and the vampire genre. (Though not far outside: Girl Walks Home was filmed in Taft, California.) Arash deals drugs, too, as well as taking odd jobs as a gardener on the isolated rich side of town, having a tense flirtation with a rich girl who calls him into her bedroom.
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