Categories: Films To Watch, Home Release, Home Video, Recommendation, Reviews, Tags: Anita Colby, Ann Blyth, Brute Force, Burt Lancaster, Charles Bickford, crime, crime drama, Criterion Collection, drama, Ella Raines, home release, home video, Hume Cronyn, Jack Overman, Jeff Corey, John Hoyt, Jules Dassin, noir, Richard Brooks, Robert Patterson, Roman Bohnen, Sam Levene, Sir Lancelot, Yvonne De Carlo. But Collins knows differently that Munsey is a sadist wearing velvet gloves, taking delight in pain however he can create it. In the lead as the sturdily affable police Lieutenant Dan Muldoon is Barry Fitzgerald. “Nobody escapes. Which brings us fully to the Criterion release itself.
Yet, when we meet Collins, he’s returning to his cell after working in a drainpipe outside the walls of the prison, an unsafe and unsanitary work station that seems to serve zero purpose other than to keep inmates busy. Mantegna has starred in more than forty films and currently appears on CBS’s Criminal Minds. Steve Buscemi is an actor who has appeared in such films as Mystery Train, Fargo, Reservoir Dogs, and Armageddon. This was among several noir films made by Dassin during the postwar period. Burt Lancaster is the timeworn Joe Collins, who, along with his fellow inmates, lives under the heavy thumb of the sadistic, power-tripping guard Captain Munsey (a riveting Hume Cronyn). Having mastered his imposing physicality early in his career, the legendary Hollywood actor later gravitated toward roles that allowed him to explore a rich, complicated inner life.
Brute Force ’s booklet is particularly meaty, even by Criterion standards: a fairly thick volume at 32 pages, cover to cover.
It is, however, the character of the abusive and dictatorial prison captain that solidifies any Shawshank relation. • Interview from 2007 with Paul Mason, editor of Captured by the Media: Prison Discourse in Popular Culture. This site uses Akismet to reduce spam.
Brute Force (Criterion Collection), Blu-ray, 4K Mastering, Special Edition, Restored, Subtitled, Suspense-Film Noir, 715515250818
Mark Pellinger, sadly not long for this world on the heels of this production, actually provides voiceover narration (as well as verbal opening credits) for the duration of the film. To drive this point home, as Collins walks in the rain with the yet-to-be-fully-introduced Munsey, Collins is told of the death of a friend who worked alongside Collins in the drainpipe.
Burt Lancaster is the timeworn Joe Collins, who, along with his fellow inmates, lives under the heavy thumb of the sadistic, power-tripping guard Captain Munsey (a riveting Hume Cronyn). Directed by Jules Dassin • 1947 • United States Starring Burt Lancaster, Hume Cronyn, Charles Bickford As hard-hitting as its title, BRUTE FORCE was the first of Jules Dassin’s forays into the crime genre, a prison melodrama that takes a critical look at American society as well. They give a good brief on the film's history, such as the disagreements between producer Mark Hellinger and director Jules Dassin on the subject of the movie's use of flashbacks--an approach that would break … It’s the “Woman Love!” aspect of Brute Force that is its weakness. Brute Force – The Criterion Collection (Blu-ray Review) September 4th, 2020 by Aaron Neuwirth Coming at audiences with a one-two punch this month from The Criterion Collection is a double-dose films from famed and once-blacklisted director Jules Dassin . Shop Brute Force [Criterion Collection] [Blu-ray] [1947] at Best Buy. Irish to the core and turtle-like in stature and presence, Fitzgerald is a far cry from Burt Lancaster. Knowing that time is running out to return to his love, Collins devises a plan to get free, but to do it will require trusting not just his stalwart cellmates, but others as well.
Of the two, Mason’s portion is far more interesting as he dissects and discusses Brute Force in a deeper manner than Atkinson does in his writing, making it an ideal video for those seeking to increase their education and appreciation for the film. After an extensive two year process of restoration, Brute Force joins the Criterion Collection so that modern audiences can once more endure the horrors of Westgate Penitentiary under the heel of Captain Munsey (Hume Cronyn). Classics and discoveries from around the world, thematically programmed with special features, on a streaming service brought to you by the Criterion Collection. It will sound humorously petty for those who don’t display their Criterions by spine number, but for those of us that do, the annoyance is real! By Douglas Davidson on September 6, 2020 • ( 0) Released June 30 th, 1947, Jules Dassin’s (Rififi) Brute Force opened and took audiences and critics by storm. Now available via the Criterion Collection, director Jules Dassin’s “Brute Force” remains as explosive an indictment of prison reform today as in 1947. Picture 9/10 Jules Dassin’s prison film Brute Force receives a new Blu-ray upgrade from The Criterion Collection, who present the film in its original aspect ratio of 1.37:1. As mentioned above, the liner notes include not just the usual essay from a prominent critic, but other materials which may enhance the viewing experience.
Professor David Bordwell uses the economically expressive performances of Jules Dassin’s Brute Force as an object lesson for breaking down the fundamentals of screen acting. Brute Force (1947) | The Criterion Collection As hard-hitting as its title, Brute Force was the first of Jules Dassin’s forays into the crime genre, a prison melodrama that takes a critical look at American society as well. It is suggested via the profile on Hellinger that Brute Force made an immediate impact on each audience who watched it.
Available on Blu-ray and DVD September 8th, 2020. The film is very much a police procedural; a tremendous steppingstone in establishing the path to such institutions as Law & Order and CSI. In this, The Naked City is an unabashed landmark; one worthy of the terrific attention paid to it by Criterion. Few were as adept as bottling these tensions onto celluloid as director Jules Dassin. It’s not that Warden Barnes (Roman Bohnen) makes his or the rest of inmates’ lives difficult, it’s that Collins made a promise to the woman he loves that he’d be back and he wants to keep that promise. Only Collins’s …
Burt Lancaster is the timeworn Joe Collins, who, along with his fellow inmates, lives under the heavy thumb of the sadistic, power-tripping guard Captain Munsey (a riveting Hume Cronyn).
The men of R17 in discussion within BRUTE FORCE. Paul Mason is a criminologist specializing in media representations of prison. No, it is not. What makes their lives suddenly less precious or less worthy?
Enter your email address to subscribe to this blog and receive notifications of new posts by email. People, people everywhere, bustling about their own lives and concerns. Brute Force (aka Zelle R 17) is a 1947 American crime film noir directed by Jules Dassin, from a screenplay by Richard Brooks with cinematography by William H. Daniels.It stars Burt Lancaster, Hume Cronyn and Charles Bickford.. Every few minutes, we're going to release more inventory. Pro Tip: If that works, checkout as fast as you can. Brute Force’s booklet is particularly meaty, even by Criterion standards: a fairly thick volume at 32 pages, cover to cover. If one truly believes that you can judge a society by the way it treats those perceived as the least of its members, an exploration of our prison system is a damning spot to begin. Even decades later, the emotional wallop lands just as powerfully today. These are two of them. These films, and many others, often utilize prisons as an allegory for the ways in which humanity treats its vulnerable. Both films begin with not one but two text screens that detail the extensive processes utilized in getting Brute Force and The Naked City to the amazingly pristine presentations that follow.
It fuels it with a kind of exceptional Noir-era tension- where violence reigns just beneath the surface of everything, and everything is terminally grey amid the urban and psychological confinement. It’s got a hot-button now-ness about it that is somehow likely of all times and most places.
Steve Buscemi is an actor who has appeared in such films as Mystery Train, Fargo, Reservoir Dogs, and Armageddon.
His explosion of rage and agony at the end of this film is truly a thing to behold.
Of the two films considered in this dual review, Brute Force emerges as the more director-savvy effort. Nevertheless, both are key in the necessary unpacking of their vital niches under the Noir umbrella. He is the editor of “Captured by the Media: Prison Discourse in Popular Culture.” He also directs the Prison Media Monitoring Unit and is a founding member of the group No More Prisons. The film’s posters demand pretty ladies to flaunt, and so they were appeased via the glorified cameo roles of Yvonne De Carlo, Ann Blyth, Ella Raines, and Anita Colby. It’s particularly heightened when one considers the lengths the label went to in branding Brute Force and The Naked City with handsomely matching, complimentary artwork.
Criterion smartly paired the Blu-ray upgrades of Brute Force and The Naked City, both films having been recently restored by TLEFilms Restoration & Preservation Services. If we infer a hierarchy, then we as a society are lost. To the unaware, the tight-buttoned, soft-spoken Munsey is as non-threatening as they come, frequently opting for a softer touch to earn compliance from the inmates.
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Their work cemented The Naked City as the cultural touchstone that it ended up being.
Patterson and Brooks even go so far as implying that the crimes we know of were partially out of love for another, suggesting that while their punishment is punitive, they are not worthy of anything corporal. Blu-ray Review: Jules Dassin’s Brute Force on the Criterion Collection J ules Dassin’s Brute Force scrambles the trajectory of the traditional noir film, which is often driven by lust and the fear of downfall.
Amazon.fr - Achetez Brute Force (Criterion Collection) à petit prix. Burt Lancaster is the timeworn Joe Collins, who, along with his fellow inmates, lives under the heavy thumb of the sadistic, power … It was also the boldest and most expansive about it.
Respectively, Brute Force and The Naked City share little in common beyond that pedigree.
Brief though it is, this conversation sets up within the narrative the very real threat of the removal of Barnes (a just man unsure how to continue his duty) as well as the subtext of inmates being disregarded as human once entering the gates. But, as any screenwriter knows to ask, is this narration really necessary? By contrast, this seminal 1947 production is set in a prison and features characters who are already paying for their indiscretions. Is that really the kind of company we want to keep? Professor David Bordwell uses the economically expressive performances of Jules Dassin’s Brute Force as an object lesson for breaking down the fundamentals of screen acting. At that point, try adding it to your cart again. Brute Force very plainly states its own answer to the question, one which we continually to struggle with today. If we take Atkinson’s analysis to heart that Dassin crafted Brute Force to explore Nazi-controlled prison camps metaphorically, then we better understand the Nazis treated their prisoners and how they viewed them. The film, a prison break picture, would startle and terrify as it depicted life inside prisons as … Prices and offers are subject to change. As hard-hitting as its title, Brute Force was the first of Jules Dassin’s forays into the crime genre, a prison melodrama that takes a critical look at American society as well. Lancaster here isn’t just a presence, he is presence; hauntingly and indelibly so.
While the copy most certainly avoids the pitfalls of the Dragnet-style all-business male dictation, there is nonetheless a lot of it.
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