Sterling; the music, by Kerry Mills.The song was published in 1904 in New York by Mills's firm operating under the name F. A. The musical score for the film was adapted by Roger Edens, who also served as an uncredited associate producer.

Directed by George Schaefer. Sort by: Filter by Rating: Charming and great remake of classic film mpgmpg123 22 September 2002. Briefly disappointed, she is soon relieved when her grandfather (Harry Davenport) offers to take her to the ball instead. In Myrna Loy's autobiography she spends about 2 pages discussing the rehearsals for it, where she ate lunch with Ed Wynn on their lunch breaks, and how upset producer David Susskind was that it would be one of the last live TV specials. That's right it's a TV movie remake of the 1944 Judy Garland version! In reality it was live, it was not videotaped. Dodie dreams of marrying a millionaire so that she can live 'the life'. It is the only genre which really took off with the birth of sound,…, - No rhyme or reason, or quality gauge for that matter, just any random film I find with less than…, Larry Karaszewski 4,414 films 6 1 Edit, because letterboxd doesn't see a distinction between musicals and movies about music/musicians, Michael's Cinema Paradiso 1,895 films 15 30 Edit, Films worked on by filmmakers and industry personnel who were featured in this year's In Memoriam slideshow at the 91st…. The late-19th century vintage carousel in this movie could be found at the Boblo Island Amusement Park in Amherstburg, Ontario until the park closed in September 1993.

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Use the HTML below. Esther, the second eldest daughter, is in love with the boy next door, John Truitt (Tom Drake), although he does not notice her at first. Bing Crosby included the song in a medley on his album Join Bing and Sing Along (1959). Directed by George Schaefer. [15] [16]. [2] The Smith family leads a comfortable upper-middle class life. The film was directed by Vincente Minnelli, who met Garland on the set and later married her. We bumped into some trouble with some opinions – Eddie Mannix, the studio manager, thought the Halloween sequence was wrong, but it was left in. Resentful of her small-town life, a married woman schemes to run off with a rich businessman. Meet Me in St. Louis is a 1944 American Technicolor musical film made by Metro-Goldwyn-Mayer. [14] The site's critics consensus for the film reads, "A disarmingly sweet musical led by outstanding performances from Judy Garland and Margaret O'Brien, Meet Me in St. Louis offers a holiday treat for all ages."[14]. This was a live TV remake of the 1944 MGM movie. First, the original 1944 film is one of the most perfect musicals ever made....perfect in every way. Mills. Have you ever seen a movie...only to think to yourself "why did they EVER make this?! | "[13], The film currently holds a 100% "Fresh" rating on the review aggregate website Rotten Tomatoes, based on 33 reviews with an average score of 8.69/10. It was directed by George Schaefer from the original Brecher and Finklehoffe screenplay.

This was a live TV remake of the 1944 MGM movie. Meet Me in St. Louis has been one of the most anticipated DVDs in the short history of the format, and this two-disc special edition was worth the wait. It was charming and lively and you would never know it was not a movie, the actors were all perfect with their lines and singing and dancing. It is summer 1903. Myrna Loy and Walter Pidgeon were the parents, they could practically have been in the original as they were both MGM stars at the time, so it is nice they got to be in this one. After the preview of the completed film, Judy came over to me and said, "Arthur remind me not to tell you what kind of pictures to make." Second, if you are going to make a remake of a perfect film, you don't make it practically a word-for-word copy! Was this review helpful to you? "[12], Arthur Freed: "Meet Me in St. Louis is my personal favourite. | Technical Specs, See agents for this cast & crew on IMDbPro, Girl in Blue on Trolley Two Broadway showgirls, who are also sisters, are sick and tired of New York, as well as getting nowhere. The other reviewer on this TV special indicated that I was incorrect in my review and stated that it was not live and it was videotaped. Esther is sad when the trolley sets off without any sign of him, but cheers up when she sees him running to catch the trolley mid-journey. "[9] Crowther concludes: "As a comparable screen companion to Life With Father, we would confidently predict that Meet Me in St. Louis has a future that is equally bright. This FAQ is empty. In 1943, an Allied hospital-ship is sunk by the Japanese in the South-Pacific where a nurse and a Marine become marooned on an island abandoned by natives. Esther finally gets to meet John properly when he is a guest at the Smiths' house party, although her chances of romancing him don't go as planned when, after all the guests are gone and he is helping her turn off the gas lamps throughout the house, he tells her she uses the same perfume as his grandmother and that she has "a mighty strong grip for a girl.". The family is devastated and upset at the news of the move, especially Rose and Esther whose romances, friendships, and educational plans are threatened. Synopsis. Looking for something to watch?

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But perhaps best of all were Jane Powell in Judy Garland's old role, singing well (Have yourself a merry little Christmas, the Trolley song, the Boy next door, danced and sang well in Skip to my loo), good acting. "[10] O'Brien drew further praise from Time; " [her] song and her cakewalk done in a nightgown at a grown-up party, are entrancing acts. External Reviews

Choose an adventure below and discover your next favorite movie or TV show. She then discusses the production itself and how it was live, how the Christmas tree almost fell on Jeanne Crain while it was live, all the cables and how complicated it was, and how great she felt after it was done, how she felt the feeling should be bottled and sold as it was the best of theatre in that it was live but that since it was on TV at the same time they also had the camera there.

No matter how good this is, it's always in the shadow of the original. Update in 2016. The film was adapted by Irving Brecher and Fred F. Finklehoffe from a series of short stories by Sally Benson, originally published in The New Yorker magazine under the title "5135 Kensington", and later in novel form as Meet Me in St. Louis. Her self-terrified Halloween adventures richly set against firelight, dark streets, and the rusty confabulations of fallen leaves, bring this section of the film very near the first-rate." With movie musicals dwindling on the big screen, movie musical stars turned to TV, finding success on a medium that had greatly improved as more households bought sets. The song, which is generally styled in the form of a limerick, has many and varied verses, few of which are remembered today — unlike the chorus. Without bothering to investigate, Esther confronts John, physically attacking him and scolding him for being a "bully." ", Time called it "one of the year's prettiest pictures"; "Technicolor has seldom been more affectionately used than in its registrations of the sober mahoganies and tender muslins and benign gaslights of the period.

Divided into a series of seasonal vignettes, starting with Summer 1903, it relates the story of a year in the life of the Smith family in St. Louis, leading up to the opening of the Louisiana Purchase Exposition (more commonly referred to as the World's Fair) in the spring of 1904. Meet Me in St. Louis is a 1944 American Technicolor musical film made by Metro-Goldwyn-Mayer.Divided into a series of seasonal vignettes, starting with Summer 1903, it relates the story of a year in the life of the Smith family in St. Louis, leading up to the opening of the Louisiana Purchase Exposition (more commonly referred to as the World's Fair) in the spring of 1904.

Too bad it is not available on videotape! All in all a great show, a two hour special from the golden age of television. This … Filming & Production More details at Meet Me in St. Louis ; Where to watch JustWatch. The Smiths and their home, in Technicolor, are eyefuls of scenic delight, and the bursting vitality of their living inspires you like vitamin A. The song is one of the few instances of pronouncing the city's name that way. In the year before the 1904 St Louis World's Fair, the four Smith daughters learn lessons of life and love, even as they prepare for a reluctant move to New York. Most importantly, the…. Meet Me in St. Louis (1944) cast and crew credits, including actors, actresses, directors, writers and more. I viewed this on YouTube in Nov. 2015; someone uploaded a very poor quality videotape of the show. The song was published in 1904 in New York by Mills's firm operating under the name F. A. Add the first question. Pleasant TV version of the Judy Garland classic could best be described as "nice". Others were written for the movie. In this charming TV adaptation of the 1947 film classic, a kindly old gentleman (Ed Wynn) working as a Macy's department store Santa causes a commotion when he claims to be the real St. ... See full summary ». When Esther returns home, Tootie confesses that what really happened was that John was trying to protect Tootie and Agnes from the police after a dangerous prank they pulled went wrong. Esther is also aghast because they will miss the World's Fair. So yes, it was live! (uncredited), Boy in Halloween Sequence This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. © Letterboxd Limited. CLASSIC HOLLYWOOD (1928-1948), KEITH'S LIST OF 356 FILMS ABOUT OR INVOLVING MUSICIANS, SINGERS, DANCERS OR COMPOSERS. This adaptation of the classic 1944 film musical explores the lives of the close-knit Smith family -- mother, father, grandfather, and five children -- who live in St. Louis in the year 1903. Tootie was with Mr Neely and disputing that St Louis was the best city. Recs welcome! Singer The song was also featured in the film The Strawberry Blonde with James Cagney and Olivia de Havilland, some four years prior to Meet Me in St. Louis.

The backdrop for the film is St. Louis, Missouri in the year leading up to the 1904 World's Fair. A year in the life of the Smith family as they prepare to move to NYC and anticipate the 1904 St Louis World's Fair.

During its initial theatrical release, it earned a then-massive $5,016,000 in the US and Canada and $1,550,000 elsewhere resulting in a profit of $2,359,000.

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